https://www.krigsmaskinen.se/index.php?action=history&feed=atom&title=Om_d%C3%A9tournement 2026-08-09T16:11:16Z Versionshistorik för denna sida på wikin MediaWiki 1.26.2 https://www.krigsmaskinen.se/index.php?title=Om_d%C3%A9tournement&diff=3593&oldid=prev 2019-04-13T17:54:30Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='sv'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Äldre version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Versionen från 13 april 2019 kl. 17.54</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l133" >Rad 133:</td> <td colspan="2" class="diff-lineno">Rad 133:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&lt;center&gt;211&lt;/center&gt;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&lt;center&gt;211&lt;/center&gt;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>:På motsättningarnas språk framställer sig kritiken av kulturen som något ''förenat'': i den meningen att den behärskar hela kulturen - dess kunskap såväl som dess poesi - och i den meningen att den inte längre skiljer sig från kritiken av samhället i dess helhet. Det är bara denna ''teoretiskt förenade'' kritik som går den ''förenade samhälleliga praktiken'' till mötes.</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>:På motsättningarnas språk framställer sig kritiken av kulturen som något ''förenat'': i den meningen att den behärskar hela kulturen - dess kunskap såväl som dess poesi - och i den meningen att den inte längre skiljer sig från kritiken av samhället i dess helhet. Det är bara denna ''teoretiskt förenade'' kritik som går den ''förenade samhälleliga praktiken'' till mötes.</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">----</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Från ''Self-portraits and caricatures of the Situationist international'' (2014), intervjubok med [[Raoul Vaneigem]].</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:It is true that many things take place through osmosis and resonance ... For me, the experience of Lautréamont was important. Détournement allows one to correct the past: one takes a relatively well-known phrase and adapts it to one's own criteria. It allows you to assert yourself by transgressing or subverting the past. It is precisely a technique of subversion, also a facility. But if it doesn't bring something more to the original phrase, then it is a flop; it falls in the water. There are many artists and writers who have made use of détournement. Later on, the SI greatly contributed to popularizing it -- I would say almost vulgarizing it. But not everyone will excel in this exercise. The détourned phrase can be quite simple or complex; what matters is that it causes a shock, a realization. An old, well-known phrase, closed upon itself, suddenly opens upon another thing. It is a process of subversive creation. That is the use that we put it to. I am surprised that this social and literary quarrel that consists of accusing people of plagiarism reappears from time to time.</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:[...]</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">:In the ''[[Traité de savoir-vivre à l'usage des jeunes générations|Traité]]'', I made many détournements. No one has ever made an exhaustive list of them. I myself have had difficulty finding them ... I even remember having taken the end of a phrase drawn from a novel without great interest, because it described the way in which people survive. No one has ever noticed it.</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Kategori:Situationistiska internationalen]]</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Kategori:Situationistiska internationalen]]</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Kategori:Utdrag]]</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Kategori:Utdrag]]</div></td></tr> </table>

Iammany https://www.krigsmaskinen.se/index.php?title=Om_d%C3%A9tournement&diff=3558&oldid=prev 2019-03-27T17:46:17Z

<p>Skapade sidan med &#039;<a href="/index.php/Fil:Detournement.jpg" title="Fil:Detournement.jpg">center</a> Från [https://www.cddc.vt.edu/sionline/presitu/usersguide.html A user&#039;s guide to Détournement], av <a href="/index.php?title=Guy_Debord&amp;action=edit&amp;redlink=1" class="new" title="Guy Debord (sidan existerar inte)">Guy Debord</a> &amp; Gil J. Wolman (1956) :An...&#039;</p> <a href="https://www.krigsmaskinen.se/index.php?title=Om_d%C3%A9tournement&amp;diff=3558">Visa ändringar</a>

Iammany